An epic retelling of an interesting chapter from Maratha history

Annette K. Brown
Immediately after Farzand and Fatteshikast, Digpal Lanjekar’s 1st two films in the collection of films dedicated to the bravery of Chhatrapati Shivaji Maharaj and the Maratha army, the author-director returns with a bang in the third movie of the collection – Pawankhind.

The movie, which was delayed owing to the pandemic, is based mostly on a single of the most famed incidents from Maratha heritage – the Fight of Pavan Khind. At the outset, the makers make it very clear that this is not a entire documentation of the struggle, its prelude or aftermath, but a cinematic recreation intended to showcase the bravery of the Marathas concerned in this fight. So, there are cinematic liberties taken in this retelling, but the crux of the tale is preserved.

The tale about the Struggle of Pavan Khind (earlier acknowledged as Ghod Khind) and the bravery exhibited by Bajiprabhu Deshpande and the Bandal military of 600 towards the Siddhi Masud and the soldiers of the Adilshahi Sultanate is well identified across Maharashtra. The outcome – Chhatrapati Shivaji Maharaj’s successful escape from Panhalgad to Vishalgad. But, does Lanjekar thrive in recreating this vital chapter from Marathi record on monitor? Absolutely!

Pawankhind is a thorough cinematic experience that is suit for the massive display. The movie is bold in seeking to examine this story in two and a half several hours, but it largely succeeds in making the appropriate construct up and atmosphere that qualified prospects to a superb climax. From laying out the purpose and the figures involved in it, to the siege of Panhala by Siddhi Jauhar, the escape program and the actual struggle, Pawankhind lays out all its playing cards in front you chronologically, although inducing a dose of historical past, drama and even comic reduction in in between. The film doesn’t overlook out on offering due credit rating to the the vast majority of the generals who served Shivaji Maharaj realise his desire of Swarajya.

As for the actors, it is not an uncomplicated job to deliver some of the most well –known names from the Marathi movie and Tv field jointly in a multi-starrer of this scale. But the casting division and makers pull off this feat. Chinmay Mandlekar as Shivaji Maharaj, Ajay Purkar as Bajiprabhu Deshpande, Sameer Dharmadhikari as Siddhi Jauhar, Aastad Kale as Siddhi Masud, Ankit Mohan as Rayaji Bandal, Mrinal Kulkarni as Maasaheb Jijau, Akshay Waghmare as Koyaji Bandal every actor has presented his ideal to their roles. Even the supporting cast has some memorable performances from Kshitee Jog as Badi Begum, Harish Dudhade as Bahirji Naik, Shivraj Waichal as Harpya, Rishi Saxena as Rustam Zaman. Yet another notable general performance that stands out is that of Ajinkya Nanaware as Shiva Kashid, the guy who resembled Shivaji Maharaj and sacrificed himself for his king. The scenes involving Ajinkya and Chinmay are sure to provide tears to your eyes.

Though Pawankhind excels in storytelling, the technological features, though fantastic, could have been better. The background score overpowers dialogues in some important scenes, and the motion choreography in some scenes fails to make the reduce. Having said that, all stated and performed, the whole workforce has completed its ideal to make this a large display practical experience. It’s possible with a even larger spending plan, these matters can be ironed out in the following films of Lanjekar’s collection.

For now, Pawankhind is a excellent check out, and at the cinemas only.

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